Seated figure to below waist, both hands holding book. Wearing white shirt, blue tie, academic robes. Signed: "Cameron Burnside 1941" on lower right corner.

Small still-life portrait of fruit on wooden table. Previously attributed to Rubens or Raphaelle Peale.

Half-length portrait, subject facing forward. Wearing dark suit, white shirt, striped tie. Marked "Greenewalt" on lower right corner.

Seated frontally, with his gaze directed toward the viewer, the subject leans on his elbow, his right hand and extended index finger raised to his right cheek. His face is rendered flatly with a thin-lipped mouth, rosy cheeks, and blue eyes beneath a broad brow. The fifth finger of his hand is adorned with a gold (and possibly ruby or seal) ring. His clothes include a black coat atop a waistcoat and a white cravat. To his right is a table covered with a red cloth; on the table are several bound volumes and sheaves of papers. The background consists of an off-white studio drape.

Seated subject, wearing judge's robes, shirt and tie visible. Holding glasses in left hand. Burgundy background.

Extended bust-length portrait with body turned slightly to the left, in front of a dark tan background. The subject has gray hair, dark gray eyes, and a clear complexion. He wears a black coat and white neckcloth. Unsigned and undated.

Rembrandt Peale painted this half-length portrait of William Tilghman in 1829, copying his own original 1819 portrait. Seated frontally, the sitter directs his gaze toward the viewer’s left in three-quarter profile. Tilghman wears a dark overcoat and a translucent white cravat tied in a loose bow at the neck. His somewhat rectangular face is rendered in fleshy detail, with a naturalistically figured double chin, sagging cheeks, and clear eyes. Tilghman is seated on a red leather chair with brass rivets in front of a plain background.

Portrait of figure, body turned to the right, head turned facing center. The subject has white hair, and wears a white shirt and cravat and a dark jacket.

Three-quarter length figure, body to his right with 3/4 view of face. Bald head, white hair at back with beard and moustache. Black suit, white collar and dark colored tie. Inscribed on upper left corner: "To My Friend Minis Hayes MD/Lazar Raditz/ April 5th 1917."

Three-quarter length seated figure, elbows on arms of chair, right hand holding gray hat in lap. Wearing gray suit, white shirt, black tie. Seated on upholstered chair with wooden fram and arms. Blue background. Signed "Nikol Schattenstein NY" on lower left corner.

Half-length seated figure, head turned right, leaning on left hand, elbow on table. Wearing black coat, gold waistcoat, white scarf with bow. Corner of table and part of book visible in lower right corner. After 1814 portrait by Thomas Sully.

Extended bust-length, frontal portrait with head turned slightly to the left, in front of a brown-gray background. The subject has graying, red-blonde hair, gray eyes, and a pale complexion. He wears a red-brown coat with a black collar, black stock, and a white shirt collar. Unsigned and undated on canvas front. Inscribed on reverse: "Thomas Sully Painted. / by Order of the, / Musical Fund. / Society. / TS 1867."

Bust-length portrait with body turned to the right and head turned slightly to the left. The subject has gray hair and a fair complexion. He wears a blue coat and waistcoat, white collar, neckcloth, and ruffle. In his right hand, he holds a book with the initials "APS" in the center of the cover. This volume rests on another book on a table, entitled "Library Catalogue" on the spine. A large red curtain and tassel is visible in the background, behind the figure. Signed "TS 1823" on the book cover in the lower left of the canvas.

Half-length figure, turned slightly right. Wearing black coat, waistcoat, bow cravat, and white shirt. Gray-brown background. Inscribed: "General I. J. Wistar at age of 59/B. Uhle pinxt." on back. Unsigned/undated on front.

Three-quarter length seated figure, left hand on knee, right hand holding a book. Table with three books on top in front of right hand. Figure wears academic robes, white shirt, maroon tie, dark blue suit. Signed "Cameron Burnside 1941" on lower right corner.

Three-quarter length seated figure, legs crossed, hands in lap. Wearing black coat, waistcoat, bow tie, white collared shirt. Arms rest on armchair. Gray background with architecture suggested. Signed: "M. W. Lesley" lower right corner.

Three-quarter length seated figure, body turned left, head facing forward. Wearing white summer suit, striped vest, white shirt, black four-in-hand tie. Seated on wooden chair with upholstered arms. Background of trees. Signed "M. Lesley Bush-Brown" on lower left corner.

Three-quarter length portrait of figure turned slightly right, standing behind desk, with fingers of left hand on desk, right hand holding glasses. Large book on desk, column at left background. Marked "C. H. Cecil" on front lower left corner.

Depicts head and shoulders of figure, turned left, showing right profile. Brown hair and eyes, ruddy complexion. The coat is blue with silver buttons, the neckcloth and ruffle white. The background is white with a very fine black line around the oval. Inscribed "J. Jay" on front, bottom.

Three-quarter length seated figure, body turned slightly right, head forward. Hands on arm of chair. Figure wears academic robe, blue suit, waistcoat, white shirt, and blue and brown tie. Signed "Grace Dahl" in lower right corner.